#PreCodeApril2022 Film #3: Queen Christina (1933)

Garbo from a deleted scene in “Mata Hari.” She looks amazing in this scandalous dress!

Believe it or not, this was my second Greta Garbo film. My first was only a few weeks prior when I watched Mata Hari (1931). I’d seen clips of Garbo before and I just didn’t “get” her. Every clip of her, she seemed to be playing the same person–Greta Garbo. But then, I saw Mata Hari. While that wasn’t the greatest film, Garbo was fantastic. I “got” her. You couldn’t take your eyes off this woman. Even if she wasn’t the central part of the scene, I still watched her. When she wasn’t on-screen, I wanted her to come back. Where was Greta? Anyway, I decided to follow up Mata Hari with Queen Christina.

Queen Christina was a film that I’d heard about, mostly in the context of the androgynous nature of Garbo’s titular Queen Christina, the kiss Christina gives her lady-in-waiting, and the very scandalous scene between Garbo and John Gilbert in their mountain hotel room. But this film was so much more. I loved this movie, it was fantastic. I loved this movie so much that I actually bought the Greta Garbo Signature Collection box set on Amazon, just so I could own Queen Christina and see more of Garbo’s work. Not only did this box set come with all of Garbo’s biggest “talkie” films, it also came with her silents as well. I look forward to seeing more Garbo.

Queen Christina, 1933
Starring: Greta Garbo, John Gilbert, Lewis Stone, C. Aubrey Smith, Reginald Owen
Director: Rouben Mamoulian
Studio: MGM

SYNOPSIS: At the beginning of the film, we witness King Gustavus Adolphus of Sweden killed in battle during the mid-17th century. His six year old daughter, Christina, ascends the throne. Presumably, the adult members of Christina’s court act as ruling monarchy until Christina is old enough to understand her responsibility to her country. Fast forward a couple decades and a now grown Christina (Garbo) is a beloved ruler of Sweden. Her subjects adore her and respect her devotion to her country. She very much strives for peace for Sweden, and is happy when the Thirty Years’ War comes to an end.

However, like so many of these movies go, the men of Christina’s court are concerned that Christina does not appear to be in a hurry to marry and produce an heir. Despite Christina’s accomplishments and power in Sweden, she apparently isn’t anyone until she’s produced an heir. Presumably Christina is pushing 30 which heightens the anxiety surrounding her lack of husband and children. Christina however, doesn’t agree that she needs to marry, and she especially does not want to marry the suitor her court picked out. I don’t blame her, her male advisors want her to marry the heroic Karl Gustav…who is also her cousin. Christina is not interested in Karl, and there’s a funny part later in the film where she sees a photo of Karl. She laughs and says “is that what he looks like?” in a mocking tone. Obviously Christina and Karl are not well acquainted despite being cousins.

John Gilbert as Antonio and Garbo as Queen Christina. I could watch Garbo eat grapes all day–never have grapes looked so good.

Christina’s attitude toward marrying changes though when she meets a Spanish Envoy by the name of Antonio (Gilbert). One day, after tiring of her restrictive life, Christina decides to sneak out of her castle and take a relaxing horse ride to a neighboring town. However, it starts snowing and she seeks refuge in a small inn. Because Christina is dressed in masculine attire, the innkeeper assumes that Christina is a man. He gives Christina the last room at the inn. When Antonio shows up also looking for lodging, the innkeeper appeals to Christina, aka “the man” to whom he rented the last room. When Christina sees Antonio she agrees. Even the chambermaid is flirting with Christina, thinking she’s an attractive man. Antonio feels uncomfortable looking at Christina as he feels attracted to a person whom he thinks is a man. When Christina starts to change out of her clothing to get ready for bed, Antonio is realized to discover that he’s crushing on a woman, not a man.

Even dressed like a pilgrim, Garbo looks amazing.

Christina and Antonio’s lust for one another cannot be contained and it can be assumed what they do that evening. The next morning, Antonio is informed that the snowfall will cause them to be snowed in for a few more days. Devastated (::wink:: ::wink::) Antonio and Christina continue their tryst. There’s a funny scene afterwards, presumably post-coital, where they feed each other fruit. Christina walks around the room caressing bedposts, still in ecstasy. Throughout their sexy evening, Christina never lets on that she’s Queen of Sweden.

MY THOUGHTS: I absolutely loved this movie. Garbo is absolutely gorgeous. Even when she’s supposedly being mistaken for a man, she’s absolutely breathtaking. I loved the costumes in this movie. I also hadn’t seen John Gilbert in a film and I can see why Garbo was smitten with him. He was adorable in this movie and I also learned that that rumor that his talkie career bombed because of his voice was not true at all. Gilbert’s voice was fine. I would hands down watch this movie again and I’m happy that I own it.

The famous scene between Queen Christina and her Lady-in-Waiting

#PreCodeApril2022 Film #2: Blonde Crazy (1931)

I followed up The Public Enemy with another James Cagney/Joan Blondell feature. These two make a good pairing. This was also a very entertaining film–and it made one thing clear, Joan Blondell knew how to slap!

Blonde Crazy, 1931
Starring: James Cagney, Joan Blondell, Louis Calhern, Ray Milland, Guy Kibbee
Director: Roy Del Ruth
Studio: Warner Brothers

SYNOPSIS: At the beginning of Blonde Crazy, we meet Bert Harris (Cagney), a bellboy who works at a midwestern hotel. One day, a young woman, Anne Roberts (Blondell) applies for a job at the hotel as a chambermaid. Bert takes an instant liking to Anne, and after some finangling, he scores her the job. Anne excels at her work as the chambermaid, but between Bert’s constant advances, and the other creepy male patrons of the hotel, she learns that there is more expected of her than just bringing more towels. This is where we see Blondell show off her considerable slapping skills.

After one particular heinous encounter with a wealthy patron, A. Rupert Johnson (Kibbee), which culminated in him groping Anne. Because he has taken a fancy to Anne and because he is a con artist, Bert suggests to Anne that they get back at Johnson by scamming him. They can extort money out of him and pay him back for harassing Anne. Anne is reluctant at first, but ultimately goes along with the plan. She and Johnson go out on a date. Bert pays a pal to pretend to be a cop and “catch” Johnson and Anne in a compromising position. In an effort to protect his reputation and keep from going to jail, Johnson pays the cop $5,000. The $5,000 goes to Bert and Anne, which they split 50/50.

Blondell in the bathtub

Anne and Bert decide to move to the more glamorous New York City, where they live the high life. One evening, they meet Dan Barker (Calhern) and his date. After getting to talking, Dan takes a liking to Bert and offers to cut him in on his counterfeiting scheme. All Dan needs is a $5,000 investment from Bert. Bert ends up giving Dan his and Anne’s money. Meanwhile, Anne has fallen in love with Bert, but is turned off by his constant desire to scam people instead of earning money legitimately. She ends up meeting and falling in love with an Englishman, Joe Reynolds (Milland).

MY THOUGHTS: I loved this movie. It was fun to see Cagney playing such a wacky character, though his “Honnnnnn-ey” catchphrase got a little tiring after a while. This was a very precode precode. There is a pretty sexy scene of Blondell bathing. And there was a funny scene of Cagney looking for money in Blondell’s bra. The scene culminates with him putting her bra over his eyes like a big pair of lacy glasses. This was a very funny film and I liked the plot with Cagney and Calhern. Milland was kind of dull, but his character was needed for the third act of the film.

Blondell really knew how to slap