What a Character Blogathon–SZ Sakall

Everyone remembers the big stars: Bogart, Hepburn, Monroe, Gable, etc. but not enough attention or praise is given to the character actors. Character actors are performers who often played supporting parts, but weren’t expected to carry the film. A film’s failure wasn’t blamed on the character actor. They weren’t “the name” that brought in the crowds. These actors were hired for the types of characters they portrayed. Some actors, like Claude Rains, for example, could play leading parts, supporting (but lead) parts, and character roles.

“Everything is hunky dunky.”

One of the all time best character actors is SZ Sakall, or as I like to call him: “International Treasure SZ Sakall.” SZ was born Gründwald Jakob in Budapest, Austria-Hungary (now present day Budapest, Hungary) on February 2, 1883. As a young man, he wrote vaudeville sketches under the pen name Szőke Szakáll. In the 1910s and 1920s, SZ was working on the Hungarian stage and screen. In the 1920s, he moved to Vienna. By the 1930s, he was living in Berlin. He continued to appear in German cinema and plays. He also ran his own production company.

SZ returned to Hungary in 1933 after the Nazis gained power in Germany. He started appearing in Hungarian cinema and performed in over 40 films. In 1940, SZ and his wife Anne moved to Hollywood after Hungary joined the Axis powers. Many of SZ’s relatives, including three sisters, were killed in the Nazi concentration camps. SZ started appearing in films almost right away. He made his American film debut in It’s a Date (1940) with Deanna Durbin. He also shortened his name to the much easier to pronounce, SZ Sakall.

SZ or “Cuddles” as he was dubbed by Jack Warner, specialized in playing befuddled, but loveable European shopkeepers, uncles, restaurant owners, etc. He was usually in a small part, some more critical than others. SZ was popular with actors like Errol Flynn, who loved him. But he was unpopular with other actors, like Alan Hale Sr., who claimed that SZ was a scene stealer. Flynn tells a story in his memoir, My Wicked, Wicked Ways, about how he liked to invite Cuddles and Hale to the same get togethers over and over:

“Sakall was a funny old guy. I always liked him for his screwy, mushy personality, but most other actors hated him. He messed up the English language so much that they couldn’t get their cues. I let him run on. It was fun to see the effect of him on the other character players. He ran off with many scenes, and that was enough to make him despised by the others.

Hale couldn’t stand him. They hated each other and refused to work with each other. To see them together was like a meeting of two prima donnas at a tea party. Naturally I brought them together as often as I could, and on this night Hale hollered, “For Chrissakes, Zakall [sic], a’int it time you learned to speak English? You been here long enough!”

Errol Flynn, “My Wicked Wicked Ways” (1959)

Over his Hollywood career, SZ appeared in over 40 films. He appeared in a variety of different roles and genres. His most famous role is arguably Carl, the waiter in Casablanca (1942). SZ appeared in dramatic films, comedies, musicals, westerns, he was everywhere. His last film was The Student Prince (1954). Sadly, SZ suffered a heart attack and passed away on February 12, 1955, 10 days after his 72nd birthday.

SZ will always be remembered for his colorful film appearances. His loveable, flustered persona is endearing as is the way he delivers his lines in mangled English. I absolutely love him and am always excited to see him when he pops up in a film.

My Top 5 SZ Sakall Appearances:

  1. “Carl” Casablanca (1942). In the classic film to end all classic films, SZ plays “Carl,” the head waiter and maître d’ at Rick’s Cafe American. He is loyal to Rick and watches in admiration as Rick (Humphrey Bogart) lets the young Bulgarian couple win at Roulette. He also delivers a funny line when asked if the gambling is honest.

CUSTOMER: “Are you sure this place is honest?”

CARL: “Honest?! As honest as the day is long!”

2. “Luigi” Never Say Goodbye (1946). SZ appears with buddy Errol Flynn in one of my favorite Christmas films. In this film, Flynn and ex-wife Eleanor Parker are divorced. Their daughter, Flip, hates spending 6 months with one parent and then 6 months with the other. She desperately wants to get them back together, as does her father Errol, who it seems was blindsided by the divorce. SZ plays Luigi, the owner of the restaurant where Errol and Eleanor frequented while they were dating. Luigi is also a family friend. Errol pulls him into his schemes and Luigi does all he can to follow along, often to disastrous results. There is a funny scene where he and Errol wake up after having spent the entire night bar-hopping while dressed as Santa.

PHILLIP (Flynn): “I don’t care about Nancy. But I don’t want her to start making a scene. You know how she is.”

LUIGI: “Sure. You take a girl out to dinner two or three hundred times and right away she thinks you’re interested in her.”

3. “Felix Bassenak” Christmas in Connecticut (1945). SZ appears as Barbara Stanwyck’s uncle who is enlisted to help his niece cook a delicious Christmas dinner for a visiting soldier, Dennis Morgan. Stanwyck’s character, Elizabeth Lane, works as a magazine columnist. She’s concocted this entire persona as the perfect wife, cook, mother, everything. She describes her gorgeous Connecticut farmhouse to her readers. On paper, Elizabeth looks like she’s living the dream and everything’s perfect. In reality, Elizabeth is single, lives in New York, and has just purchased an absurdly expensive mink coat. Her publisher, Sydney Greenstreet, is unaware of her charade and insists that Elizabeth host Christmas at her farmhouse for visiting soldier Dennis Morgan, who is so fond of her articles, that he writes to Greenstreet expressing his wish to meet her. Aside from being the chef who cooks all the food, SZ gets involved in Stanwyck’s shenanigans–at one point, he insists that the baby swallowed his watch.

FELIX: “Watch now. I show you how to flip-flop the flop-flips.”

4. “George” The Devil and Miss Jones (1941) . In this film, SZ plays Charles Coburn’s butler. Coburn is Thomas Merrick, “the richest man in the world.” Merrick owns a department store whose employees want to unionize. Merrick goes undercover as “Thomas Higgins” to find the source of the union talks. As he spends more time with the employees, the more he sympathizes with their desire to form a labor union. SZ is so put upon as Coburn’s butler–he only serves Coburn graham crackers and milk due to Coburn’s constant stomach issues. SZ does almost everything for Coburn to the point where he’s so out of touch with reality, that he fails at even the easiest of tasks. At one point, in an attempt to show up his nemesis, Coburn asks SZ to bring in a small child and sell her 12 pairs of shoes. Coburn tries the ugliest shoes on the little girl and the whole scheme falls apart.

GEORGE: “Dr. Schindler made up your pepsin in to sticks of chewing gum sir. He thought that you would like the change. You are to have one every hour on the hour. You will find them in your lower left breast pocket.”

5. Otto Oberkugen “In the Good Old Summertime” (1948). This film is a remake of Ernst Lubitsch’s 1940 film, “The Shop Around the Corner.” In ‘Summertime,’ Judy Garland plays Veronica who gets a job at Otto Oberkugen’s music shop. One of the other salesmen, Andrew (Van Johnson), is threatened by her potential competition for sales, but he also develops a crush on her. Both Veronica and Andrew begin corresponding and falling in love with their respective secret pen pals. Little do they know that they’re corresponding with each other.

OTTO: “Don’t call me Uncle Otto. In the store, I am Mr. Oberkugen.”

SHEESH!

Eleanor Parker Blogathon, Part 2: “Never Say Goodbye” (1946)

One of my absolute favorite Eleanor Parker films (and annual Christmas films!) also co-stars my love, Errol Flynn. Flynn appears in one of his rare, non-swashbuckler roles, and even more rare–he plays a father! In Never Say Goodbye, Flynn and Parker play ex-spouses, Phillip and Ellen Gayley. At the beginning of the film, they are coming up on the one-year anniversary of their divorce. Their only child, a daughter, Phillipa “Flip” Gayley (Patti Brady), is forced to follow the custody arrangement: 6 months with one parent, 6 months with the other. She has just about completed her sojourn with her father and will soon be moving back into her mother’s home.

Errol Flynn, Patti Brady, and Eleanor Parker in “Never Say Goodbye.”

Flip doesn’t much care for the arrangement and neither does Phillip. It seems that Ellen’s mother, the delightfully naggy Lucile Watson (whose character’s name is seemingly “Mother”), doesn’t care for Phillip and it seems that she had a large role in convincing her daughter that he was no good and she’d be better off without him. One of the main reasons for Mother’s animosity against Phillip is his career. He works as a commercial illustrator, mainly pin-ups. She’s convinced that he’s doing more than drawing.

Phillip however, claims complete innocence and one gets the sense that he was somewhat blindsided by the divorce. Flip on the other hand, wants a baby brother and she isn’t going to get that with her parents living in separate homes. At the same time, she’s also been writing to a Marine overseas using her maid Cozy’s (the amazing Hattie McDaniel) book “How to Write Letters to a Soldier.” When the Marine, Fenwick Lonkowski (Forrest Tucker), requests a photograph of his “Smoochie” (Flip’s pen-name to him), Phillip has her send a photo of Ellen instead of her own (good thinking, Dad).

Forrest Tucker props up Errol Flynn as Eleanor Parker looks on in “Never Say Goodbye.”

Phillip returns Flip to Ellen’s home and immediately tries to rekindle things with her. He takes her out to dinner and dancing at Luigi’s, a restaurant/club, run by owner Luigi (SZ Sakall), a mutual friend of Phillip and Ellen’s. Phillip is thisclose to wooing Ellen back with his singing (!) and charm, but the night is ruined when Phillip forgets that he’d already made a date with Nancy Graham, the model he’s currently illustrating. Phillip tries the classic “be in both places at the same time” gag, but fails. Upset that her ex-husband is seemingly still up to his old ways, leaves him at the restaurant.

Phillip and Flip spend the remainder of the film trying to get him back together with Ellen. At the same time, Mother is trying to get Ellen interested in Rex (Donald Woods), a lawyer whom she feels is more suitable. The problem? Rex is boring and is no Errol Flynn. The climax of the film takes place over the Christmas holiday when Rex, dressed as Santa to surprise Flip and Phillip, also dressed as Santa, face off in a Duck Soup-style mirror scene along with a series of hijinks along the way, culminating with Rex falling into the Christmas tree.

Flynn does his best Bogart impression in “Never Say Goodbye.”

To further complicate matters, Fenwick Lonkowski shows up at Ellen’s home, looking for “Smoochie.” It seems that he is on leave and wanted to find a woman with whom to spend some time. After being reasonably terrified at this large Marine appearing at her home (and her having no idea who he was as she was unaware of her daughter’s penpal), she begins to warm to the idea when she realizes that she could make Phillip jealous after he invites her to go up to Connecticut with him–forgetting AGAIN that he made the same plans with Nancy Graham, who just happens to show up to Phillip’s apartment while Ellen is there, ready to leave on the trip.

There is a hilarious scene where Phillip, wanting to run Fenwick out of the house, dresses up as Flip’s gangster father, complete with a trench coat, smeared grease paint (stubble? to look dirty and tough, who knows? But it’s funny), and a snarl. Humphrey Bogart himself provides Gangster Errol Flynn’s dialogue. Eventually, Fenwick teams up with Flip to help reunite Phillip and Ellen.

Patti Brady and SZ “Cuddles” Sakall

I absolutely adore this film. Errol Flynn and Eleanor Parker make an amazing couple, absolutely gorgeous. Patti Brady even looks like she could be their daughter. I don’t normally like children actors, as their characters are often irritating, whether they’re too loud, too pretentious, snotty, what have you, but Patti’s character was awesome. She seemed like a real child. Hattie is my queen and she’s awesome in this film as well. Lucile Watson excels at playing the nagging mother and she does not disappoint in this film either. Forrest Tucker is a tall man. He towers over 6’2 Errol Flynn and makes him look like a weakling. And SZ Sakall was an international treasure and I love him. I can definitely see why he was nicknamed “Cuddles.”

My favorite quotes:

SALESWOMAN: I’ve always thought I could be a model. What do you think?

PHILLIP: When I first saw you, I thought hmmm…

SALESWOMAN swoons

SANTA PHILLIP TO MOTHER: Let’s see what we have for the old bag… I mean, in the old bag.

FLIP: I’m not going home. I’m gonna live in Luigi’s back room and scrub floors and eat bread and water and Luigi will beat me.

LUIGI: Me beat you?!

PHILLIP: Luigi, you can’t just go around spilling soup on people!

ERROL FLYNN SINGS!

My favorite things about this movie:

  1. Errol Flynn. That’s a given. He proves himself adept at comedy in not only Never Say Goodbye, but his other comedies like Four’s a Crowd and Footsteps in the Dark. He has his usual amount of charm, especially prevalent in the beginning scenes when he charms the saleswoman. Only Flynn could get away with answering her question with a non-answer and make her fall head over heels. But he looks gorgeous in this film per usual… AND HE SINGS!

  2. Eleanor Parker. She is so beautiful in this film and has such a lovely sounding voice. You know how some people look great, but then they talk, and you’re like ACK! STOP TALKING. Miss Parker is not one of those people. She also wears the greatest gowns in this film and looks great with Flynn. These two should have been a couple in real life.

  3. Patti Brady is adorable in this movie. Like I said prior, I don’t usually like children actors, with a few exceptions, but I love her character in this movie. She’s realistic, she’s funny, she’s a little precocious without being hammy or pretentious, I just love her. She has a good rapport with all her adult co-stars as well.

  4. Hattie McDaniel is my queen. Even though her character disappears about halfway through the film. I just love her, especially her constant disapproving comments regarding Phillip and Flip’s make-believe personas and friends.

  5. The fact that Phillip sends his seven-year-old daughter home, from Central Park, alone. A seven-year-old girl, walking alone, in New York City. Oh how times have changed.

  6. The fact that Phillip can order 12 martinis in a club and the fact that he’s still standing (barely) after having consumed most of them.

  7. SZ Sakall is hilarious and I just love him. He always plays someone flustered (except for maybe in Casablanca) and he’s just so loveable.

  8. Does anyone else get Tom D’Andrea confused with Dane Clark? D’Andrea plays Phillip’s friend, Jack Gordon, with whom he shares the 12 martinis (though I think each man has his own set of 12).

  9. Phillip’s crooning “Remember Me?” to Ellen. ERROL FLYNN SINGS.

  10. Ellen’s crazy dress with all the tassels on it.

  11. Phillip’s Humphrey Bogart impression with Bogart providing the voiceover.

  12. Ellen’s marching band shako looking hat with the plume that she wears when she visits Phillip at home.

Eleanor Parker Blogathon- “The Very Thought of You” (1944): A Plea to Warner Archive

Despite all the numerous avenues for physical media (Studio releases, Criterion, Kino Lorber, Olive Films, Warner Archive MOD, etc.) there are many classic films that seemingly have fallen through the cracks. Some films appear to have never received a VHS release, let alone DVD! One such film, sadly, is The Very Thought of You, released in 1944.

The Very Thought of You is a World War II homefront romantic drama starring Eleanor Parker, Dennis Morgan, Faye Emerson, and Dane Clark. Parker and Emerson play Janet and Cora, respectively. Janet and Cora are friends and co-workers at a parachute factory. Morgan and Clark play two Army sergeants, Dave and “Fixit,” respectively, who are visiting Pasadena (home of Dave’s college alma mater, Caltech) on a three-day pass during the Thanksgiving weekend.

Eleanor Parker and Dennis Morgan

One day, Dave and Fixit are riding a bus at the same time Janet and Cora are riding the bus home from work. Dave and Janet get to speaking and realize that they know one another from college. Dave used to frequent a malt shop near Caltech where Janet worked. Realizing that Dave has nobody to spend Thanksgiving with, Janet invites him to spend the holidays with her and her family.

The Thanksgiving dinner is a nightmare, to put it kindly. Janet’s mother, Harriet (the amazing Beulah Bondi) does not approve of Janet getting involved with a man in active duty, because she doesn’t want Janet spending all her time alone. Janet’s sister, Molly (Andrea King), is married to a sailor, but she’s cheating on him behind his back. Molly gives the excuse that he’s always away and she’s lonely. Janet’s brother, Cal, was classified 4-F and seems self conscious about this. He’s rude to Dave for no reason. Only Janet’s youngest sister, Ellie, and her father (Henry Travers, who is seemingly in every movie ever made) support Janet and Dave’s relationship.

Faye Emerson and Dane Clark

Meanwhile, throughout the film, Fixit and Cora hit it off and spend a lot of time together, while having a lot of fun. They seem like a couple who aren’t particularly in love, but love to have fun together. One could assume that Fixit and Cora will probably “hook up” when he visits while on leave.

Janet and Dave’s growing relationship is the focal point of the story. During Dave’s initial three-day pass, he and Janet fall in love. They end up marrying during Dave’s leave, despite opposition from Janet’s mother and sister. Throughout the remainder of the film, Janet and Dave deal with separation due to the war and later, the effects and consequences of being in an active war.

I absolutely loved this film. I love films that are true, intense romances–not contrived rom-com films (some are okay, but some are so generic and bland). A true romantic film may or may not have a happy ending. I love when a romantic film has an organic ending, whether happy or sad. I love Eleanor Parker and I thought she did a fantastic job. She’s also so beautiful too. She really deserved to be more well known. Eleanor and Dennis Morgan (who is adorable in this film) make a great pairing. I also really like Faye Emerson. She has a very unique look, but she is very beautiful. Dane Clark is always a lot of fun (Does anyone else confuse him with Tom D’Andrea?).

Beautiful photo of Faye Emerson and Eleanor Parker

ATTENTION WARNER ARCHIVE: This is a plea. Please release this film on MOD (Manufactured on Demand)! This is such a fantastic film and deserves to be better known. The Very Thought of You airs on TCM on occasion, so I know it’s available.

Thank you, I look forward to seeing this film available in the near future.

Sincerely, Kayla