Ingrid Bergman was born 108 years ago today, August 29th, in 1915. Her life came full circle with her passing 41 years ago on her 67th birthday in 1982. Throughout her life, Ingrid won 3 Oscars, was condemned for her affair with Italian director Roberto Rossellini on the floor of the US Congress, and came out on the other side of the scandal stronger than ever. She appeared in more than 40 films (including films in the US, Italy, and her native Sweden), a half a dozen made-for-TV movies, and dozens of theatre and radio performances. Despite winning awards for Classic Hollywood films such as Gaslight (1944), Anastasia (1956), and Murder on the Orient Express (1974), Ingrid is best known for her role in Casablanca (1942).
Today, Casablanca is regarded as one of the best films ever made. It also ranks on the top of many lists as one of the most (if not *the* most) romantic films ever made. However, during the time of production, nobody involved thought much of the film–especially its star, Ingrid Bergman. The script was constantly being re-written to the point where the stars didn’t even know how the film was going to end. The crux of the climactic scene at the airport involves the resolution of the film’s classic love triangle. Ingrid was kept in the dark as to who her character, Ilsa Lund, would end up with–Humphrey Bogart’s Rick Blaine or Paul Henreid’s Victor Laszlo.
Casablanca takes place in the city of the same name in Morocco. Rick Blaine is an American who operates a nightclub, Rick’s Café Américain (aka “Rick’s”). His club offers a refuge for citizens from all countries and all walks of life who are desperate to escape the Nazis and leave for the United States, which has not yet joined the war effort. Rick is seen signing off on a bill dated a few days prior to the Japanese bombing of Pearl Harbor. Every refugee is desperate to procure a “letter of transit” which is required to leave Morocco for neutral Portugal, which then will allow them to get to the US. At the beginning of the film, a crook by the name of Ugarte (Peter Lorre) rushes into Rick’s, requesting a place to hide. Rick refuses and Ugarte is killed by the Nazis. Ugarte had stolen two letters of transit by murdering two German couriers. He manages to hide the letters of transit at Rick’s prior to his death. Rick’s possession of the letters of transit provides one of the main motivations for both the French and German police’s constant presence.
Nazi Major Heinrich Strasser (Conrad Veidt) and French Captain Louis Renault (Claude Rains) are constantly at odds with one other, with their blows often coming to head at Rick’s. Louis, while he is the prefect of police, is corrupt and is friends with Rick. It is implied that Louis propositions young female refugees, asking for sex in exchange for an exit visa. Strasser and Renault’s main bone of contention is the arrival of Victor Laszlo, a Czechoslovakian who escaped from a concentration camp and is the leader of a resistance movement. Major Strasser’s main motivation in the film is to capture Victor Laszlo and return him to the concentration camp.
However, while the political strife of Casablanca is important to the plot, the film is mainly remembered for its love triangle between Rick Blaine, Ilsa Lund, and Victor Laszlo. Throughout the beginning of the film, Rick is shown to be cynical and completely apathetic to everything. He has funny lines such as when he’s asked if he is available for drinks later in the evening, and he responds: “I never make plans that far ahead.” One evening, Ilsa and her husband, Victor Laszlo enter the club. When Rick spots Ilsa, his face suddenly contorts into the look of sheer anger and heartbreak.
In flashback, we learn that Rick and Ilsa used to be romantically involved, while living in Paris. They’re shown in blissful happiness: romantic drives around the French countryside, sipping champagne while engaging in flirty banter and dancing at romantic clubs. Rick and Ilsa are in love and when they learn that Germany is marching into Paris, they make plans to leave together on the train. One rainy afternoon, Rick waits for Ilsa at the train station, but she never shows up. Heartbroken, Rick reads the “Dear John” letter she sent and boards the train. Ilsa’s reappearance in Morocco brings back a flood of memories to Rick and reminds him of how much she hurt him.
Seeing Rick is obviously a blow to Ilsa as well. Her admiration and love for him comes flooding back to her gorgeously lit face (kudos to whoever lit Ingrid Bergman for this film) that just sparkles on screen. Throughout the film, Ilsa becomes conflicted, not knowing if she wants to leave Victor and rekindle her romance with Rick. In her confusion, she tries to convince herself that she doesn’t love Rick and tries to hold him at gunpoint to force him to give her the letters of transit. Rick isn’t convinced and soon Ilsa confesses that she still loves him.
Humphrey Bogart and Ingrid Bergman acted out Rick and Ilsa’s romance perfectly. They are still in love, but Rick has been so hurt by Ilsa, that it’s hard for him to drop his defenses. The fact that she’s married makes him even more adverse to getting involved with her again. Ingrid portrays Ilsa’s dilemma perfectly, with her face displaying the conflicted feelings she has for Rick. She loves Rick, but she also admires Victor for his work in the resistance. In a very gallant speech, Rick tells Ilsa that Victor needs her, as she is his motivation. In the famous airport scene, Bogart’s face perfectly portrays the love that Rick has for Ilsa. Ingrid’s face beautifully portrays Ilsa’s confusion and overwhelming love for Rick. However, this time, Rick is able to end the relationship on his own terms, knowing that it’s for the best that Ilsa stays with Victor. Ilsa on the other hand, seems to have expected that she’d stay with Rick and send Victor packing.
In the end, do we want Rick and Ilsa together? The Simpsons offered an alternate ending. As Rick and Louis walk away together as Sam (Dooley Wilson) plays piano. Sam then warns Rick that Louis has a gun. As Louis prepares to shoot Rick, Sam shoves his piano at Louis and knocks him out. Hitler then pops out of the lid of Sam’s piano, preparing to throw bombs at Rick and Sam. Ilsa suddenly parachutes down from her departing plane, lands on the piano lid, locking Hitler inside. Sam begins playing something that kind of sounds like “As Time Goes By” (but isn’t, obviously. Rights issues) and the scene segues into Rick and Ilsa’s wedding.
While this is obviously a ridiculous way to end the film, it does give the audience the happy ending that many in the audience want–Rick and Ilsa ridding the world of Hitler and living happily ever after. Personally, I cannot imagine Casablanca with that ending. The entire airport scene, oddly one of the most romantic scenes in cinema history, despite being basically a break-up scene, is so perfect. The credit for how the scene plays out entirely belongs to Humphrey Bogart and Ingrid Bergman. The problems of three little people may not amount to a hill of beans in this crazy world, but for 102 minutes, we’re captivated. We’ll always have Paris. And we’ll always have Ingrid Bergman’s luminous face. Here’s looking at you, kid.
RICK: Last night we said a great many things. You said I was to do the thinking for both of us. We’ll I’ve done a lot of it since then, and it all adds up to one thing: you’re getting on that plane with Victor where you belong.
ILSA: But Richard, no, I…I…
RICK: Now, you’ve got to listen to me! You have any idea what you’d have to look forward to if you stayed here? Nine chances out of ten, we’d both wind up in a concentration camp. Isn’t that true, Louis?
LOUIS: I’m afraid Major Strasser would insist.
ILSA: You’re saying this only to make me go.
RICK: I’m saying it because it’s true. Inside of us, we both know you belong with Victor. You’re part of his work, the thing that keeps him going. If that plane leaves the ground and you’re not with him, you’ll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life.
ILSA: But what about us?
RICK: We’ll always have Paris. We didn’t have, we, we lost it until you came to Casablanca. We got it back last night.
ILSA: When I said I would never leave you.
RICK: And you never will. But I’ve got a job to do, too. Where I’m going, you can’t follow. What I’ve got to do, you can’t be any part of. Ilsa, I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world. Someday, you’ll understand that.
(Ilsa lowers her head and starts to cry)
RICK: Now, Now…
(Rick lifts Ilsa’s chin, so their eyes meet)
RICK: Here’s looking at you kid.
Humphrey Bogart as Rick Blaine, Ingrid Bergman as Ilsa Lund, and Claude Rains as Louis Renault in “Casablanca.”