It’s not a secret that I love Lucille Ball. She’s been my favorite actress since I discovered her on her now iconic sitcom, I Love Lucy, playing the titular character, Lucy Ricardo. I Love Lucy not only made Lucille Ball a household name, it also forever cemented her identity as “Lucy.” Mention “Lucy” to almost anyone (at least those worth associating with) and Lucy Ricardo comes to mind. I was roughly 10-11 years old (circa 1994-1995) when I discovered Lucy and I Love Lucy. I began to borrow books about I Love Lucy and Lucille Ball during my family’s monthly trips to the library. As an 11-year old, I was able to read the biographies in the adult section, making it very easy to learn about my new favorite actress. In 1996, Lucy’s autobiography was published–7 years after her death. Apparently her daughter found her mother’s manuscript while going through her things and went forward with having them published. I may have been the only 12-year old who desperately wanted Lucille Ball’s autobiography.
Throughout my trips to the library and reading books about Lucille Ball, I learned about the movie career she had prior to finding stardom on television. Lucy appeared in over 70 movies prior to switching gears to the small screen. Her film career began in 1933 when she came to Hollywood to appear as a slave girl in Eddie Cantor’s Roman Scandals. Not one to turn down any offer of paid work, figuring that every job offered her the chance to learn and hone her craft, Lucy appeared in at least a couple dozen uncredited roles before building up her momentum enough to score small, speaking roles. By 1937, Lucy scored a juicy part in the A-list ensemble drama, Stage Door, co-starring Katharine Hepburn and Ginger Rogers. In 1938, Lucy was offered her first starring role in The Affairs of Annabel. Lucy plays Annabel Allison, an actress forced to carry out insane publicity schemes by her agent, played by Jack Oakie.
At the library, I managed to borrow every single Lucille Ball VHS that my library had. I was lucky in that my library seemed to have a large amount of the films in the “Lucille Ball Signature Collection.” This collection is how I saw many of Lucy’s movies, including the aforementioned The Affairs of Annabel, The Big Street, Dance Girl Dance, Too Many Girls, Seven Days Leave, and others. TCM had just come on the scene as well and I scoured the TV Guide (insert in newspaper, not the magazine) to review the upcoming week of programming. Any Lucille Ball movies were circled and set up to record on the VCR. Throughout my years of recording and watching Lucille Ball’s films, there was one film that I’d always wanted to watch and it seemed to elude me for years: A Girl, A Guy and A Gob.
Mercifully, TCM finally saved the day and aired A Girl, A Guy and A Gob at a time when I was able to see it. Then, Warner Archive went above and beyond and released the film on DVD. I have since built up a very decent sized collection of Lucille Ball’s films. Anyway, I digress.
Back to A Girl, A Guy and A Gob…
In this film, Lucy plays Dorothy ‘Dot’ Duncan, a young woman who has recently began work as a secretary to Stephen Merrick (Edmond O’Brien) a shipping magnate. Dot is obviously the “Girl” in the title. Stephen is the “Guy.” Playing the “Gob” is George Murphy. Murphy plays Claudius J. Cupp aka “Coffee Cup.” When I first watched this film, I had no idea what or who a “Gob” was. I learned that the term “Gob” refers to a sailor. Coffee Cup is a sailor in the United States Navy and it is established that he loves being in the Navy and regularly signs on for new missions after the previous one ends. It is also obvious that Dot and Coffee Cup have been together for quite some time, but I get the sense that Dot tires of waiting for Coffee Cup to settle down and somewhat resents being expected to stand idly by and wait for him to return over and over again.
The film opens with Dot and her family settling down to watch a play from inside a box seat at the theater. This is a big deal for the Duncan Family. It’s Mr. and Mrs. Duncan’s anniversary and their children have (seemingly) purchased box seats at the theater as a gift. Meanwhile, out in the lobby, Stephen and his horrible fiancee Cecilia and her equally horrible mother are impatiently waiting for Stephen to locate their tickets. Stephen’s tickets are for their box seat, the seats where he, Cecilia and her mother sit every night at the theater. Dot figures out that her brother “Pigeon,” didn’t actually buy these seats. In reality, he gambled away the ticket money (that Dot gave him) and just happened to find Stephen’s tickets. Dot and Stephen get into an argument that ends with Stephen, Cecilia and her mother having to sit in ::gasp:: the regular section of the theater. After Dot realizes how her brother happened to come away with the box seat tickets, she is embarrassed and leaves but not before accidentally dropping her purse (with a giant “D” monogram) on Stephen’s head.
The next day, Dot shows up for a secretary opening at the Herrick and Martin shipping company, unaware that the “Herrick” in the company’s name is Stephen Herrick whom she’d hit with her purse at the theater the night prior. Stephen recognizes Dot’s purse (with the very obvious “D” monogram) and identifies her as the woman from the theater. They get off to a poor start, obviously. Later that day, Coffee Cup shows up, home from another Navy “hitch” (as he calls them). Coffee Cup and Dot take a walk and Coffee Cup spots his friend Eddie, a fellow sailor who has a shtick where he bets onlookers that he can stretch himself and grow four inches. Coffee Cup and Eddie gather a crowd in front of a pet store, much to the owner’s (Franklin Pangborn) chagrin. Stephen happens to walk by, Dot spots him, and borrows five dollars from him to bet on Eddie. The contest ends in a brawl and Stephen ends up being knocked out.
When Stephen awakens, he finds himself lying on the couch in Dot’s family’s apartment. The scene is so chaotic with people dropping in, Mrs. Duncan delivers the neighbors baby and delivers the results of the bet that the family had over the weight of the new Liebowitz baby (#9). The scene is so boisterous, but full of so much love, Stephen finds himself captivated. Stephen has a date with Cecilia, but ends up dancing the night away with Coffee Cup and Dot at the Danceland Dance Hall. Cecilia ends up spending the night all dressed up, but with nowhere to go. Whoops. Cecilia is the typical fiancee of the lead–boring, snobby, a real stick in the mud.
Throughout the remainder of the film, Stephen and Dot find themselves growing closer and closer together. Dot finds herself less enthusiastic about a future with Coffee Cup, despite admirably trying to carry on with him, because he is genuinely a nice guy. However, it is easy to see that a life with him may lack the stability that Dot may need. I get the idea she isn’t crazy about Coffee Cup leaving all the time. He’s also very much about having a good time, all the time and can be irresponsible. Stephen is a nice guy, but is also professional and runs a company. Stephen also realizes that a life with Cecilia would be stodgy and miserable. It is obvious that Cecilia is with Stephen for the material goods that he can provide and presumably the boost to her social class that he provides. Stephen also finds Dot’s spontaneity exciting and makes his day-to-day routine more fun.
Henry Travers who seems to be in everything, plays Stephen’s business partner, Abel Martin. Martin, who obviously dislikes Cecilia and sees through her true intentions, plays matchmaker in this film. He casually tries to convince Stephen that Dot is the woman for him and throughout the remainder of the film, he insinuates himself into their social group to try and get Stephen and Dot together.
This is such a fun and entertaining film. I love movies with love triangles. I love seeing such a young Edmond O’Brien. This was his third film. Dare I say that I thought O’Brien was somewhat cute in this film? George Murphy is always personable and of course Lucille Ball was fabulous. Harold Lloyd produced this film and his brand of physical humor is present throughout. Lucille Ball was able to show off both her skill for acting and physical humor. It isn’t often that we get to see O’Brien in a light-hearted film as he primarily made a lot of more intense films like White Heat and The Killers. George Murphy is affable and great. It’s easy to see how his enthusiasm and zest for life would make him the ideal candidate to join the boisterous Duncan family. However, this is Ball and O’Brien’s film and they convince me of their budding romance.
If you’re looking for a fun, light-hearted romantic comedy, I wholly recommend A Girl, A Guy, and A Gob.
Whimsically Classic 